Max Richter in India: On the melancholia of ‘On the Nature of Daylight’ and the art of making audiences weep
What do Martin Scorsese’s Shutter Island, Denis Villeneuve’s Arrival, Jennifer Peedom’s Sherpa, Hulu’s The Handmaid’s Tale, HBO’s The Last of Us, and most recently, Chloé Zhao’s Hamnet have in common? If you have ever found yourself inexplicably reduced to a teary-eyed mess while watching any of these projects, you probably already know that Max Richter […]